Friday, January 23, 2026

Hubris and Fate

{Prompt: What expensive things have you bought?}

I was always fascinated by the idea of “hubris” and the potentially tragic consequences of having excessive pride. I first learned the word “hubris” early in life, possibly in elementary school, when I heard the tale of Icarus, escaping from imprisonment on the isle of Crete. He ignored his father’s warnings, and, filled with the pride and elation of his newfound powers of flight, he flew too close to the sun. The wax in his wings melted, his wings fell apart, and he fell back to earth — to his death.

Design Toscano Icarus

The Bible, too, includes cautionary tales about the perils of pride and of wealth. A rich young man — an aspiring disciple — finds that he is unable to follow the advice of Jesus — to give up all that he has, and give it to the poor. Not one, but three of the gospels include the following metaphor—which is the moral of the story: ‘It is easier for a camel to go through the eye of a needle than for a rich man to enter the kingdom of God.’

From these lessons, I took the dangers of affluence and arrogance to heart. I tried to live within my means, and even contribute a little to charity at an early age. I gave a bit of money to a radio-evangelist who had a prison ministry. I responded to a TV ad soliciting sponsors for impoverished children in South America. (I even received photos and translated handwritten correspondence from the child that I sponsored in Costa Rica, by way of the charity.) I volunteered to go on a mission trip to help make repairs to a Methodist pastor’s manse in Jamaica.

And I spent relatively little on clothing or food, primarily because I had relatively little to spend in those days, back in the 70s. But over the years I gradually accumulated some “riches” of my own. As I took jobs at Burger King, Arby’s, the News & Observer, and Raleigh Parks and Recreation, I began to accumulate income. My food and clothing expenditures became slightly greater as my taste for finer food and clothing expanded, until, once again, my purchases began to match my monetary resources.

I recall, in the 80s, during college, when my expenses were largely covered by an academic scholarship, I saved enough money to purchase a colorful woven sweater (in the style of Cosby’s Cliff Huxtable character on TV), and I bought a few rugby shirts and some colorful muscle pants. I finally had enough money to match the fashion commercials of the day.

And I bought a top notch 10-speed bicycle — a Fuji, at the bike shop on Hillsborough Street (between the tattoo parlor and the IHOP). I must have spent days leafing through the glossy Fuji bicycle catalog, coveting every one of the various models. Eventually, I couldn’t restrain myself anymore, and I bought the best one that I could afford.

While on exchange in Australia, I purchased a second-hand saxophone — a truly frivolous expense, because I had no plans to pack it and carry it back home again. It was only good for the duration of my nine month stay in Adelaide.

Slowly my barriers to wealth and to hubris were crumbling.

When I married, in 1991, we were gifted so much money from the Palestinian community that we were able to purchase (guilt-free) an entire suite of French Renaissance styled, solid wood bedroom furniture (with Pecan inlay). It included the bed, two night stands, a chest of drawers, and a dresser with a decoratively carved and scrolled tri-fold mirror. It was by far the most expensive purchase I had ever made… and it was beautiful.

Stanley dresser - part of the bedroom suite.

But when we had children, we made sensible, cost-efficient furniture buys. We found the Unfinished Furniture Outlet in Sanford and we painted or stained our unfinished children’s furniture and quite a few of the bookshelves that I still possess. Now they hold my beloved library of books.

We were also given heirloom stools and frames and side tables, once made by my grandfather. We inherited an antique writing table that I disassembled, stripped of varnish, and restained — my first attempt at furniture restoration.

I also spent some money on travel. While I was still a resident, Dianne and I took trips from Pittsburgh to Worcester, Massachusetts, and to Albuquerque, New Mexico. They were short trips to find jobs and interview for potential residency positions. But after residency, our travel excursions started to become truly grand.

With employment as a family physician, my benefits included a stipend for travel and continuing medical education (CME) expenses. Under the guise of legitimacy (to maintain and further my knowledge of medical advances), we could travel the United States.

We could go to a hotel near the Mayo Clinic in St. Petersburg, Florida, stopping to see the mermaids at Weeki Wachee Springs on the way. We could go to a CME conference in Scottsdale, Arizona, and drive around the Four Corners to see Canyon de Chelly, Monument Valley, and the Grand Canyon. Our love for roadside attractions and for the scenery of the national parks (a legitimate bargain), was kindled.

And yet, we still sought out bargains and discounts to offset our growing taste for fine things and big vacations.

As our children grew, and we vacationed together, we bought them clothing (hats and dresses) that was more than just functional — they were decorative… stylish… frivolous. We spent some of our reserves, not on ourselves, but on gifts to our children, our friends, and our family. Buying gifts for others gave me the pleasure of an impulsive purchase without as much regret.

In the 2000s, our musical purchases were somewhat lavish. We bought a Pearl Flute for Samantha (from Music & Arts at Crossroads Mall in Cary) to further her musical abilities. We bought a Schimmel studio piano (from Ruggero Piano in Raleigh), ostensibly, for Jasmine, but also for ourselves.

I bought a Washburn guitar at a music store in Gaithersburg, Maryland, with the help of my brother-in-law, Maurice. I was hopeful. But I only learned to play exactly one song on that guitar (“Shenandoah”, which I learned during my lessons at Cary School of Music.)

I still hold out hope of becoming a fingerstyle guitar player on par with James Taylor. So the guitar remains in the “library” with the piano. They serve as barometers of the accumulation of dust in the home, and as very expensive, decorative representations of our love for popular music and classical culture.

Washburn guitar and Schimmel piano.

The hardest expense to justify was the expense of the Olhausen billiards table that we purchased from Met Tech in Raleigh. There is a loose fabric of a logical argument, that we wanted to furnish a recreational room — a space for our children to hang out and socialize with friends, in a safe and well-monitored setting (at home). I think that’s a load of B.S.

I think we just enjoyed playing pool… we had a room bereft of furnishings… and we could afford to buy a completely recreational source of amusement.

From time to time the pool table is a site for communal amusement — during Halloween parties, for example. But most of the time, it is a beautiful, black felt-covered status symbol. It is most useful when we use it to pack or unpack our boxes of Christmas decorations, whenever we bring them down from, or take them back up to, the attic.

In the 2010s, the children grew up and moved away, and we found that we had become rich enough to buy some truly, truly expensive items. These purchases were in great part designed to improve our quality of life — our happiness. Our earning potential was at its peak.

We hired an architect to design an addition to our home, taking out a new mortgage to pay for the addition: a spacious living room, a home office (before the pandemic trend), and a particularly well-designed expansion of the existing kitchen. Of those three rooms, the kitchen was the least eagerly anticipated (by me, at least), but, by far the most rewarding upgrade. Parties might end up in the billiard room, but they always begin in the kitchen. And our continuing weekend family dinners, mostly prepared in the new kitchen, became a tradition. Spending time with Jasmine and Samantha was well worth the investment.

A Facebook post from our kitchen.

Perhaps the single greatest investment, ever made outside of our home, was the investment that we made to start a new business in about 2010. I took out two promissory notes, drawing on our personal funds, for the startup expenses. And I took a dramatic salary cut for the six years that Village Family Practice of Holly Springs existed.

In total, the business probably cost—conservatively— two or three hundred thousand dollars in lost revenue. Dianne became the primary breadwinner in our home, and I became an (underpaid) small business entrepreneur. The business wasn’t a failure, but it wasn’t a success either. It lasted for six years. Independent private practice just isn’t feasible when costs are not sufficiently reimbursed by large health insurance companies.

Before and after my experiment in self-employment we had sufficient wealth to truly splurge on some luxuries. We bought pottery from the Seagrove area in North Carolina, and from the Southwest US. Possibly the most expensive is a Zuni lizard pot from Arizona. But there are at least a hundred ceramic forms of all shapes and sizes in our collection.

I began making “acquisitions” of books for my book collection, including several different publications of The Arabian Nights and of Aesop’s Fables. Possibly the most expensive book was an early, illustrated French edition (1846) of The Three Musketeers (or more accurately, Les Trois Mousquetaires) by Alexandre Dumas. It was purchased from the Strand Book Store in New York City, for $300.

Les Trois Mousquetaires from The Strand in NYC.

I also bought some fine shirts, vests, and ties from Jos. A. Bank, when I was in particularly fine shape (around 2015), when I was biking regularly. They are ill-fitting now, but I still hold out hope that my “form” will return someday.

After a couple years of regular cycling, I felt it was time to get a proper carbon fiber bicycle, and I bought a Specialized Roubaix, in bright orange trim, with a “future shock” handlebar, and deep carbon fiber Zipp wheels. At $3,000, it was probably five times as much as my college bike, but I’ve put about 30,000 miles on that bike in its first decade. I think it was worth the price tag.

A happy cyclist, after the ride.

I also bought some things that I can’t defend. I bought a bottle of Armagnac (Marie Duffau) at a store in Dupont Circle for about $150, because I was feeling affluent and impetuous. (I’m sipping it now from my crystal Copper Fox distillery tulip glass.)

I bought an antique bronze sculpture of an art deco “flapper” by D H Chiparus, for the very same price, at a Blue Moon estate sale, somewhere in Raleigh. I felt like I had finally made that unbelievable find, of an antique treasure in an unlikely place. It felt so weighty in my hand, as I cradled it to the cashier’s table. I was afraid to set it down, lest some other buyer should scoop it up. Now it sits atop the antique desk in my library — the one that holds my most valued antiquarian books — a talisman from another century.

Close up of the Chiparus bronze statuette.

In 2019, I retired, and the golden years of a higher income (for serving as a medical director) came to an end. Still fortune smiled on me on two occasions. On one occasion, my mother gifted Dianne and me $3000 from the pension funds she had inherited when her brother Frank passed away. Together, Dianne and I chose an original painting by Stefan Horik, which we bought at an exhibit at the Grand Bohemian Hotel in Asheville. It uses broad strokes of oil paints in a palette of primary colors to depict birch trees, firs, and a stream in the woods of New Hampshire. We still love it.

Our Horik painting.

About 5 years later I received some unclaimed funds from the bank account of my deceased Uncle Robert in Florida. Once again we found ourselves in Asheville, which was now recovering from the devastation of Hurricane Helene, which destroyed about 75% of the studios in the riverfront arts district of the city. At the Philip Deangelo Studio & Gallery on Roberts Street, I found another piece of original art, called Moon Dance, and I met the artist, learning that all his originals were made on poplar or tin or paper (rather than canvas), built up with gesso, and then covered with acrylics, in bold colors and patterns. Naturally, we bought it.

But we no longer bring in money like we did before. Dianne has also retired. So until other windfalls come our way, the days of heady spending on furniture and decor are coming to an end.

Still, in retirement, we find ourselves traveling far and wide. We prioritize our expenditures on experiences and travel rather than possessions.

With only a little prompting, friends convinced us to take a cruise from Southampton, England to Reykjavik, Iceland, from whence we continued our travels along the rugged Icelandic coast, seeing volcanic formations and glaciers along the way.

With the promise of seeing our vagabond daughter in Greece, we booked an excursion to the Byzantine Roman cities of the Aegean, the monasteries of Meteora, the treasures of the Sultanahmet district of Istanbul, and the limestone formations of Cappadocia.

With no excuse whatsoever, we spent 4 weeks in western Europe, seeing the canals, shops, bikes, and museums of Amsterdam and Holland; the castles and churches of Bavaria; and the glorious mountains and valleys of the Berner Oberland of Switzerland.

It’s hard not to be inspired by such beautiful views… just as Icarus was inspired as he flew above the island of Crete.

It’s hard to give away all your possessions, to follow the path of austerity and of righteousness. It’s harder for a camel to pass through the eye of a needle.

We do what we feel that we can… to give to charity—supporting relief for Palestinians, supporting hunger relief, and supporting social justice.

As we enter the twilight years of our lives, I foresee a culling of our possessions.

We’ve become acutely aware that they can become an encumbrance, unless they bring value to our lives or the lives of others.

I begin to actually read from my collection of books.

I begin to sell off collectibles—to reconsider the size of our pottery collection.

I wonder if I will ever learn to play the broken chords on my guitar—the scales and arpeggios on the piano.

Is it time to downsize—sell the pool table—find a smaller kitchen?

How deep is the hubris, that led to this accumulated wealth?

Of what use are these worldly things?

Am I to be like Zacchaeus, who gave half of his possessions to the poor, or like the rich would-be disciple who could give up nothing… or like someone in between.

Am I wise and resourceful like Daedalus, or impetuous like his son, Icarus — slipping “the surly bonds of Earth” — dancing “the skies on laughter-silvered wings” — putting out my hand to touch the face of God.*

What will be my fate?

The Fall of Icarus - photo by Andrew McCarthy

********************

*High Flight
- by John Gillespie Magee, Jr.

“Oh! I have slipped the surly bonds of Earth
And danced the skies on laughter-silvered wings;
Sunward I’ve climbed, and joined the tumbling mirth
of sun-split clouds, — and done a hundred things
You have not dreamed of – wheeled and soared and swung
High in the sunlit silence. Hov’ring there
I’ve chased the shouting wind along, and flung
My eager craft through footless halls of air….

Up, up the long, delirious, burning blue
I’ve topped the wind-swept heights with easy grace.
Where never lark, or even eagle flew —
And, while with silent, lifting mind I’ve trod
The high untrespassed sanctity of space,
– Put out my hand, and touched the face of God.”

The Soundtrack of My Life

{Prompt: What songs evoke particular memories?}

Music is the most evocative sensory experience in the world. When a song is closely tied to a worldly experience, it can transport you back in time like nothing else.

Fortunately, I’ve been immersed in music since the time I was born. Lullabies, church (and church choir), Christmas caroling, campfire sing-alongs, and school band brought me inside the music making experience, as a willing participant.

FM radio, TV, film, and theater brought me sounds from a polished mix of musical recording artists in genres including musical standards, rock & roll, pop, R&B, soul, and all the rest (including TV theme songs, commercial jingles, country, heavy metal, rap, etc.) Vinyl records and cassette tapes allowed me to collect and replay the songs I loved most.

Every now and then I hear a song (or a remake of a song) that has some personal significance. Sometimes I seek them out and add them to a playlist on my iPhone. Sometimes they come — willingly or not — to the forefront of my mind, if I hear just a few words of a familiar lyric or a few notes of a familiar melody.

Here are a few of my favorites, grouped by the “olden days (…happy golden days of yore)” that they remind me of:

Preschool

Puff the Magic Dragon - Peter, Paul, & Mary - 1963

Yellow Submarine - The Beatles - 1966

Daydream Believer - The Monkees - 1967

The Beatles, The Monkees, Pete Seeger, and Peter, Paul & Mary were a ubiquitous part of the musical scene in the 60s when I was young. These songs came to me by way of TV and radio amid the counter-cultural movement of the 60s.

Folk songs in particular - the songs of Pete Seeger; Woody Guthrie; Bob Dylan; and Peter, Paul & Mary (500 miles, Where have all the flowers gone, et. al.) have strong associations with the Peace movement. I wasn’t a participant in the peace movement of the 70s (except in the style of my homemade clothes), but I came to love and appreciate the music with greater and greater depth as the years went by.

Sherwood Bates Elementary School

Raindrops Keep Fallin’ on My Head - BJ Thomas - 1969

Burning Bridges - The Mike Curb Congregation (1970)

These two songs were indelibly etched in my brain when I had to learn them for the year-end school assembly performance that was given at Sherwood Bates elementary school, three blocks from my house. Both came from popular movies of the time. Raindrops… was appropriated from “Butch Cassidy and the Sundance Kid” (1969), a wistful story about a pair of idealistic outlaws, and Burning Bridges was taken from “Kelly’s Heroes” (1970), an action movie with an undercurrent of antiwar feeling.

I don’t have any particular love for these songs. But the time-jump I make to the risers of the elementary school auditorium is instantaneous whenever I hear a few bars.

Camp songs

Sweet Sweet Spirit - Doris Akers - 1962

Pass It On - Kurt Kaiser - 1969

What the World Needs Now (Love, Sweet Love) - Burt Bacharach - 1965

I first heard these songs at camp, and I learned them by heart. Sweet, Sweet Spirit was sung every night at vespers (evening gathering for worship) at Camp Willow Run, a summer camp on Lake Gaston.

Pass It On was learned by an actual campfire (bringing a real immediacy to the lyrics), on a Sunday School retreat put together by the “J-O-Y” Young Adult class of Hayes Barton United Methodist Church.

Love, Sweet Love was the musical theme of a Vacation Bible School experience, also from my childhood. All three songs reflect the innocence and idealism of the time.

I learned later that Sweet Sweet Spirit started as a gospel hymn written by Doris Akers, later covered and transformed into a “popular” evangelical hymn by artists including Bill and Gloria Gaither, Jimmy Swaggart, and even Elvis Presley (and his background singers). For me, it was a song of quiet reflection and communal spirit at my home away from home, at summer camp.

Pass it On has an equally unusual origin. According to one source, the song’s writer, Kurt Kaiser, said:

In 1969, Ralph Carmichael and I collaborated on a musical, Tell It Like It Is. It was written to get young people involved in the Church. After reviewing what we had written, we decided there needed to be a closer, a modern ‘Just As I Am’ ….

On a Sunday night I was sitting in our den by the fireplace where there were remnants of a fire, and it occurred to me that it only takes a spark to get a fire going … and the rest came very quickly.

Both songs are so lovely and so calming — and were so well memorized, in a self-soothing playback in my head — that they naturally became my favorites to sing at bedtime as lullabies for my daughters, when they were only one or two years old.

My Father’s Death

Beth - Kiss -1976

If You Leave Me Now - Chicago -1976

If I Can’t Have You -Yvonne Elliman - 1977

Sam - Olivia Newton-John - 1977

These four songs (and especially the first two) take me back to a time of intense grief, in 1977, after the death of my father. Of course these are all break-up songs, but the feeling of loss after a break-up is no different than the feeling of heartache after the death of a loved one.

They were all playing on FM radio, and I can still remember the tinny sound that the songs had coming across my small, black transistor radio (with a long, extendable chrome antenna).I would find myself listening to the words, and the rich orchestrations, as I sequestered myself in my room, or on a hideaway perch of the sandstone embankment behind the grocery store down the road. For three or four minutes at a time, I would find myself entranced by the melancholy songs, snapping back to reality only when the DJ began to introduce the next tune.

NC School of Science & Math

Let the Good Times Roll - The Cars - 1978

Hit Me With Your Best Shot - Pat Benatar - 1980

Same Old Lang Syne - Dan Fogelberg - 1981

Dream Weaver - Gary Wright -1975

Let the Good Times Roll and Hit Me With Your Best Shot sort of exemplified our feelings of freedom and defiance at the School of Science and Math. Other songs that encapsulated our struggles, hopes, and victories included Under Pressure, by Queen; Don’t Stop Believin’, by Journey; and Celebration, by Kool & the Gang.

But Same Old Lang Syne is the song that really pulls at my heartstrings and has me waxing nostalgic. The nostalgia is written into the lyrics, and mournfully sung by Dan Fogelberg:

We drank a toast to innocence
We drank a toast to time
Reliving in our eloquence
Another auld lang syne…

When he sings, “Just for a moment, I was back at school, And felt that old familiar pain”, it’s truly gut-wrenching — the realization and acceptance that we can’t go back and relive the past, no matter how much we might like to.

Dream Weaver has a different, but equally interesting, association for me, and for all of the class of 1982. Our art teacher, Joe Liles, took lots of photos, creating slide shows set to music, which were played at least twice during our stay. Dream Weaver was the very first song on the slide show from our senior year, a slide show that was re-screened at each and every reunion.

When I hear the burbling, synthesized arpeggios at the beginning of the song, I’m instantly transported back in time, to a dark, crowded room in school, surrounded by classmates, watching the slides fade in and out. Over the years, this tradition has survived, of watching familiar faces from out of the past, set to the playlist of the era, starting with Dream Weaver.

My Student and Work-Exchanges

50 Years - Uncanny X-men - 1985

Life in a Northern Town - Dream Academy - 1985

Heaven Knows I’m Miserable Now - The Smiths - 1984

Memories - Elvis Presley - 1968

The primarily American soundtrack of my life was happily interrupted on two occasions — when I went on a student exchange to Adelaide, South Australia; and when I went on a work exchange to Ripon, North Yorkshire in England.

During my nine months in Australia, I occasionally went to the common area to watch TV, where sometimes we would see a cricket match, and sometimes we would see videos from the week’s top-twenty pop songs. I recorded the show on a cassette tape on one occasion, and I’m glad I did. It allowed me to replay some uniquely Australian songs from the Uncanny X-Men, Dream Academy, Do Re Mi, and Mental as Anything. Around that same time, INXS, Men at Work, and Crowded House were also making waves in both Australia and America.

50 Years is a beautifully unique song that dares to wonder “Where will we be in fifty years?” As time goes by, the answer to that question comes closer and closer. And it becomes more and more meaningful, now—40 years since I first recorded that TV broadcast, commercials and all. How great would it be to be back in Adelaide with the Aussies, toasting to our mutual health, and recalling those impromptu dorm gatherings, when we joked with each other, gathered around a box of wine, some grapes, and cheese, on the thin carpet of the dorm room floor.

In contrast, Heaven Knows I’m Miserable Now, reminds me of the three months I spent without hot water in a spacious but lonely flat in Ripon, North Yorkshire. Although I never had the gumption to get help with the pilot light of the hot water heater, I had lots of fun and easily made friends at the amusement park where I worked.

One of my friends, who was about my age (at 22, I was one of the older seasonal workers), was shocked to learn that I had never heard of The Smiths… or The Housemartins… or The Cult… or Echo & The Bunnymen… or even The Cure. So before I left for home he gave me a real old fashioned mixtape, carefully crafted with an assortment of British punk and new wave artists, divided evenly between Side A and Side B.

It was so unique — so different — but so eye-opening to me at the time. It was a reminder to step outside of my culture and my comfort zone every now and then, and enjoy something completely new and different. Ironically, he ended the tape with the incongruous, but completely appropriate Elvis song, Memories — a nod to the ephemeral nature of music in our cultural zeitgeist.

Courtship

Soul Provider - Michael Bolton - 1989

Nick of Time - Bonnie Raitt - 1989

We had chosen songs by Gordon Lightfoot (Beautiful) and James Taylor (Shower the People) for our wedding, and we listened to the tapes of those artists frequently, but I think that the soulful sound of Bolton’s Soul Provider and the raspy blues of Raitt’s Nick of Time more perfectly embodied the passionate longing we felt during brief separations, and the profound relief that we felt when we were reunited, back in the early days.

Parenthood

Power of Two - Indigo Girls - 1994

When You Say Nothing At All - Allison Krauss - 1994

Parenthood is a messy and pressure-filled time. Children are crying for contact, for food, for burping, or out of sheer unmitigated boredom. During our early years of parenthood we heard a lot of “children’s music” which was, in my opinion, just unredeemable pap, often setting early educational concepts (numbers, shapes, colors) to the tune of a familiar nursery song. It was maddening to hear watered-down, Muzak-adjacent versions over and over (and over and over) again, with new, but equally insipid lyrics, each time.

So when Yanni, and later, Uncle John and Mikey, came along, with at least something original and somewhat entertaining to play (Ear-flicker Man), we had to embrace them.

But before those pre-K pseudo-educational songs, and the child-focused pop artists, we used to play songs we actually enjoyed; and two of those were Power of Two and When You Say Nothing At All. Each, in its own way, encapsulates the bottomless well of love that we felt when we had two well-rested, well-fed, and happy twin babies.

European Vacation

Home - Michael Bublé - 2005.

I could go on naming scores of songs (and in fact, I’ve done that below in the Appendix), but it seems apt that I draw the line at the song that we first heard twenty years ago, while we (Steve, Dianne, Jasmine, and Samantha) were on vacation in Europe — our first overseas trip with Jasmine and Samantha.

While we were away, we heard show tunes from the West End performance of Mary Poppins in London. We heard traditional Irish Music on a pub tour in Dublin. And we heard classical music at a James Galway flute-workshop soiree in Interlaken.

But from time to time, we overheard, in cafes or in the shops of the Old Town districts, a new release on the radio. That song, was called Home (sung by Michael Buble) and it perfectly described our circumstances. It really was “another sunny day”. We really were “in Paris and Rome”. We really were “surrounded by a million people” at times (St. Mark’s square, surely). And although we had a lot of fun… and adventure, we really did — at the end of the day — “wanna go home”.

After three weeks — and checking off each block of time on the spreadsheet of our daily itinerary — we finally did return home, happily returning to the daily routines of work and school.

Years have passed since all those things that happened in Europe: since losing the camera and the stuffed bunny rabbit (or having it stolen) in the Gare de Lyon; since buying the girls’ first paninis at the Embarcadero; since stumbling upon an incredible castle (Caerlaverock castle) in Scotland, on the way to the ferry port to Northern Ireland; since tossing umbrellas on the footpath to Trummelbach Falls; since carrying a faintingly ill Jasmine off of the vaporetto in the Grand Canal, of Venice and a dozen other memories.

Michael Bublé’s song can bring me back to the time when all those experiences were new and invigorating — when we were having too much excitement to go home, but we could travel back across the ocean instantly — vicariously, through song, for 3 minutes and 46 seconds.

The Miracle of Music

Music is the poetry of our age. We listen to it over and over. We imbue the lyrics with meaning — perhaps even with meanings that they never had to begin with. We make them our own. They become a source of comfort — of solace. A source of free expression — of revelry. A source of social engagement, — of revolution.

But the tempo and rhythm… the melody and harmony… the voice… the embellishments of the backing instrumental… they all take the lyrics — the poetry — to another place. They make the poetry of the song even more memorable — somehow matching, in musical form, the circumstances of our lives.

I’ve only scratched the surface (the grooved vinyl surface) of the role of music in my life. There has been so much of it along the way that it would take pages and pages to describe the meaning of it all. I only want to expose myself to… and immerse myself in… as much of it as I can.

And I easily can, because the timeline of music seems to have limitless boundaries. Spreading back through history (even as far back as the roots in percussion and dance — chant and worship). Spreading across other lands and cultures (with differing instruments and differing chord structures). Spreading into the future — new styles developing… new creations from the influences of the past…

forming the soundtrack of my life.

*************************




APPENDIX - Formative Songs & Musical Artists 
A partial list compiled on my iPhone Notes app
(Music from soundtracks from musicals, and music from TV theme songs and jingles, have, sadly, not been included.)

Childhood:
Peter, Paul, and Mary - (Songs by the campfire) Puff the Magic Dragon, 500 miles, Leavin’ on a Jet Plane, Blowin’ in the Wind.
The Beatles - Yellow Submarine, Hey Jude
The Monkees - I’m a Believer, Pleasant Valley Sunday, Daydream Believer, A Little Bit Me, A Little Bit You
Three Dog Night - Joy to the World, Black & White, Shambala.
BJ Thomas - Raindrops Keep Fallin’ on My Head
Kurt Kaiser - Pass it On
Doris Akers - Sweet, Sweet Spirit
Burt Bacharach - What the World Needs Now (Love, Sweet Love)
Just As I Am - Billy Graham crusade - Altar invitational

Elementary School:
Olivia Newton-John - Have You Never Been Mellow, Please Mister Please - 1975
John Denver - Country Roads, Calypso
Jim Croce - I Got a Name, Time in a Bottle, Photographs & Memories
Roberta Flack - Killing me Softly, Where is the Love, First Time Ever I Saw Your Face
Sam Cooke - Chain Gang, Cupid, Bring it on Home

Father’s Death:
Kiss - Beth - 1976
Chicago - If You Leave Me Now - 1976
Olivia Newton-John - Sam - 1977
Yvonne Elliman - If I Can’t Have You - 1977
Bee Gees - How Deep Is Your Love - 1977

Adolescent Emergence:
Stevie Wonder - (Songs in the Key of Life) - I Wish, Isn’t She Lovely
Bob Marley - (Legend) - No Woman, No Cry, Stir It Up, Waiting in Vain
Doobie Brothers - (Best Of)
Gerry Rafferty - Baker Street
Steve Miller Band - (Greatest hits) Jungle Love, Take the Money and Run, Fly Like an Eagle, Serenade
Jimmy Buffett - Come Monday, Fruitcakes, Margaritaville, Pencil Thin Mustache 
Boston - More Than a Feeling, Peace of Mind
Billy Joel (The Stranger) Movin’ Out, Vienna, Italian Restaurant (Songs in the attic)
Eagles - (Hotel California) Hotel California, New Kid in Town, Life in the Fast Lane, Wasted Time
Heart - (Dreamboat Annie) Barracuda, Magic Man, Crazy on You
Queen - We will rock you/We are the champions, Under pressure, Another one bites the dust

High School at NCSSM:
Dan Fogelberg - Longer Than, Same Old Lang Syne 
Gary Wright - Dream Weaver
Journey
Hall & Oates
Cars - Let the good times roll, Just what I needed
Pat Benatar- We Belong, Wuthering Heights, Shadows of the night
Bruce Springsteen - (Born to run) Born to run, Thunder Road, Jungleland, Hungry heart
Dire Straits/Mark Knopfler- Sultans of Swing

College, Australia, and England:
Pink Floyd - (The Dark Side of the Moon) - Time, Speak to me, Breathe
Grover Washington Jr. 
Sade - Smooth Operator, Sweetest Taboo
Amy Grant - (Age to Age) El Shaddai, In a little while 
Phil Collins - In the Air Tonight, Against All Odds, One More Night
The Scorpions - Rock You Like a Hurricane, Holiday, Wind of Change.
Australian Pop Chart: (Australian bands recorded from weekly top 20 TV show)
Uncanny X-Men - 50 Years
Mental As Anything - Live it Up
The Dream Academy - Life in a Northern Town
Do-Ré-Mi - Man Overboard)
Mark’s mixtape - (English punk bands)
Housemartins - We’re Not Deep
The Cure - Boys Don’t Cry
The Smiths - Heaven Knows I’m Miserable Now
Echo & the Bunnymen - Seven Seas
The Cult - Rain
Lloyd Cole & The Commotions - Brand New Friend

Medical School and Courtship and Marriage:
Bon Jovi - Livin’ on a Prayer
10,000 Maniacs - (In my tribe) What’s the Matter Here?
Crowded House - Don’t Dream It’s Over, Into Temptation
Gordon Lightfoot - (Gord’s Gold) Sundown, Beautiful, Rainy Day People, If You Could Read My Mind, Carefree Highway
James Taylor - You’ve got a friend, Shower the people, Carolina in my mind
Michael Bolton - Soul Provider
Bonnie Raitt - (Nick of Time) Nick of Time, Have a Heart, Too soon to tell
Jackson Brown - (Running on Empty) Running on empty, Shaky town, Love needs a heart, The Load out/Stay

Twin Parenthood - South Carolina & Sanford:
Alanis Morissette - (Jagged Little Pill) Hand in my pocket, You learn, Ironic, All I really want
Blues Traveler - Run-Around, Hook
Hootie & the Blowfish - Hold my Hand, Only Wanna Be with You
Cravin’ Melon - Sweet Tea
Gin Blossoms - Found Out About You
Sarah McLachlan - Building a Mystery, Sweet Surrender 
Indigo Girls - (Swamp Ophelia) Language or the Kiss, Least Complicated, Power of Two (Nomads) Hammer & Nail, Watersheds, You and me of the 10,000 wars (Rites of passage) Ghost, Love will come to you 
Allison Krauss- Baby, now that I’ve found you, When you say nothing at all. 

Working in Wake County:
Michael Bublé- Home
Dixie Chicks - (Taking the Long Way) Long Way Around, Not Ready to Make Nice, Favorite Year, Baby Hold On
Colin Hay - (Man at work) Beautiful World, Waiting for my real life to begin 
Barenaked Ladies - Elf’s lament, God Rest Ye Merry, Gentlemen 
Mervyn Cadell - The Cat Carol
Dayna Manning - It’s in Every One of Us 
Pink - (M!ssundaztood) Get the Party Started 
Jason Mraz- Lucky, If It Kills Me
Maroon 5 (Songs About Jane) This Love, Sunday Morning, Sweetest Goodbye
Green Day - (American Idiot) Give Me Novacaine, Wake me up when September ends (21st Century Breakdown)
Santana - (Supernatural) Smooth
Athenaeum - (Radiance) What I didn’t know, Different situation 
Evanescence (Fallen) - Bring me to life, My Immortal

Anything is Possible

{Prompt: How did you celebrate your birthday}

My birthday is May 19th, and as you know, the month of May is undeniably the finest month of the year.

Clover and buttercups cover lawns far and wide, including the lawns of elementary schools throughout the city. The clover attracts the bumbling bumblebees, with their loopy flightpaths. And the buttercups attract impressionable children, who look for the yellow reflection of the flowers on their chins, testing the folklore that the flowers will reveal whether or not they like butter.

In May, the end of the school year is near at hand. The smell of honeysuckle and magnolia fills the air. Hot, humid nights are filled for a while with the flicker of fireflies, following a circuitous course, before landing on plants and children alike.

It’s a magical time, before Summer begins, when everything seems possible.

(Redbuds in bloom at my childhood school - Sherwood Bates)

And it’s reinforced on May the 19th, by the magic of the birthday wish, earned by the tricky task of blowing out all of the birthday candles with a single breath — an unsteady stream of turbulent air, focused by pursed lips and a full-chested exhalation, onto the wavering flames dancing atop the thin waxy candles of the birthday cake.

I know it’s just a ritual, but every year on my birthday, for reasons beyond my comprehension, I am celebrated.

I’m gifted a party, a cake, and an opportunity to wish — to dream of the most impossible things.

Childhood

For some of those years, in childhood, my birthday party included games and presents. The presents always seemed unnecessary… redundant. What could be better than a party, a cake, and a wish?

I recall playing “Pin the tail on the donkey” one year.

Another time, there was a piñata — dangling precariously as we all swung wildly with a dangerously hard batting stick.

I think there was a party at a skating rink.

I’m told that on one birthday, when I was very young, I was taken to the WRAL studio to join the kids on set for the filming of “Uncle Paul” — a local children’s show. I remember marching to the theme from The Bridge on the River Kwai — a whistling, marching tune. Maybe that’s why I began to whistle.

And there was always a cake. I have no idea what type of cake was favored. I think it was always a surprise. Perhaps this was one of only a few baking days each year for my mom—a chance to try her hand at baking and frosting a cake. I helped with the baking by “cleaning” the bowl — licking up the remaining streaks of batter. I “helped” with the icing in a similar fashion.

Carrot cake with cream cheese icing is my favorite. Moist chocolate cake with chocolate icing is fantastic, but making it moist and delectable is a high bar to achieve.

On one birthday, an ice cream cake was requested… and provided. But I realize now that my help was never required in the kitchen. I was included in the prep—no wonder it didn’t taste as good.

Though I have no memory of planning my own party, my mother says that I planned my own once, when she was very busy with teaching, and my father was back in college. One child arrived for the party. And no one else showed up.

My party planning was not as great as I must have assumed. So my mom called her friend, Ginny Tharrington, who happened to have three boys, including her own son, playing at her house for the afternoon. So they all came over to my house to play for a while instead. Mom saved the day.

Birthday Cards

As I grew older, the parties and presents became a little embarrassing, and they gradually ended. With the end of the parties came the end of the cake, the candles, and the wish — an unfortunate sacrifice.

Instead of wrapped-up presents, I began to receive birthday cards with presents of monetary support and encouragement. There was always an inscription — a yearly reminder of my mother’s pride — a moment of reflection on the ways my life had enlivened her own.

I get them even at age sixty-one. This year it is an American Greetings card. It says, “Celebrate! When it comes to life’s good things — you deserve them all! Happy Birthday. Happiness Always.”

And my mother writes, in her left-handed style, “Keep on traveling. Joy to you and to all you meet on the way. Love always, Mom.”

After I married, Dianne began buying presents for me, sometimes arranging a birthday dinner or even a birthday dinner party. And she would send me cards of her own, amplifying the love and appreciation of my family.

I thought that a card and a wish would be enough. A party felt like too much. I preferred giving money or gifts to others on my birthday. I felt better celebrating our connections.

But I appreciated the effort that Dianne made (even though I was hard to please), to celebrate, or at least commemorate my day, on the 19th of May.

Birthday Trips.

Eventually I discovered that my birthday was the perfect excuse to go anywhere I wanted, for one weekend of the year. If I left town, I generally didn’t need to concern myself with a social gathering… with a party. I found that, with perfect legitimacy, I could go off to the North Carolina mountains and ride my bike, as long as we did it on my birthday weekend.

So that’s what we did. When I turned fifty, we went west, where I rode the Bridge to Bridge ride, from the town of Lenoir to the Swinging Bridge at the top of Grandfather Mountain, —101 miles of difficult cycling— an epic ride… a difficult ride… an emotional ride.

Grandfather mountain was meaningful for me because our family had been there once or twice to vacation when I was young, when my father was still alive. I had many miles to think of the fullness of my life. And many miles to wonder why I would be fool enough to ride up a mountainside… and then down… and then up it again. Still, I was in tears when I crossed the finish line.

But it became a tradition. Although the “Bridge to Bridge” ride ended, other rides took it’s place. The Beech Mountain Metric was a charity ride that fell on the weekend of my birthday in May. It would start in Valle Crucis, circle around to Banner Elk, and then head up to the top of Beech Mountain — a very, very difficult ride. I did it four or five times.

The mountains and valleys are so scenic that it is easy to forget that you are getting older — easy to transition from one year to the next. And if there is any celebration, It has most certainly been earned.

At age sixty, I rode the Assault on Mount Mitchell and at sixty-one, the Storming of Thunder Ridge — two militantly themed treks to aptly accompany my battle against time.

So now, instead of fanfare and wishes, I commemorate my birth with solitude, strenuous effort, and a form of wish fulfillment.

Still… others seem to enjoy sending cards and affirmations, preparing dinners, and throwing small celebrations, and I can’t say that I mind.

It reminds me that it’s my birthday…

It’s May…

And anything is possible.

The Blue Ridge Brutal

{Prompt: Did you have any notable accidents or injuries as a child?}

I went into the corner with too much speed. That’s the bottom line.

When I gripped the handlebar brakes to slow down, I hit both the front and the rear. I hit them hard, hoping to slow my descent as quickly as possible.

Maybe I gripped them a little too hard. Maybe the wheel wasn’t perfectly true, and the clincher brakes stuck on the deviation of the rim. Maybe the road was a little slick, and I hit a small patch of fine gravel.

Whatever the reasons, my front tire started to skid, and when it started to skid, I couldn’t hold my line. I couldn’t make the turn without wiping out.

So I let off the brakes. I recovered control of the bike — a minor victory. I still had the rubber to the road.

But my line was all wrong. I wasn’t heading around the curve of the road, to the left. I was heading toward the guardrail, to the right — right in front of me.

I started to wonder something I had never wondered before. I thought, “Oh shit… how do you get over a guardrail without busting your bike? Can you flip a bike over a guard rail and keep the wheels intact?”

That’s the last thing I remember.

The Blue Ridge Brutal

It was a beautiful summer day, August 13, 2016. We drove from Raleigh to West Jefferson, into the mountains of North Carolina, about three hours away. The event was a charity ride, called the Blue Ridge Brutal, sponsored by the Ashe County Chamber of Commerce, with proceeds earmarked for a scholarship fund for graduating seniors.

It was called “brutal” because it featured 101 miles of mountain roads, almost 8000 feet of total elevation, and gradients as steep as 13% on Buffalo Road, at the Three Top Mountain Pass. If that wasn’t enough, you could add on the 3-mile, 1,000-foot climb to the top of Mount Jefferson at the end.

West Jefferson is a small town, 25 miles northeast of Boone, North Carolina. It was once a major stop on the Norfolk and Western railroad line, also known as the “Virginia Creeper”. It is the home of the Ashe County Cheese factory and the Dr. Pepper bottling company. The whole area is famous as a source of Christmas trees for much of the East Coast, and Christmas tree farms decorate the hillsides like the floral squares of a handmade quilt.

Today the town thrives on tourism, including cycling tourism, because of the beautiful scenery of the mountains, and the folksy charm of the countryside. The Blue Ridge Parkway runs along its southeast border. The south fork of the New River runs along the bottomlands, and farms dot the countryside with red wooden barns, silos, and livestock.

Barn quilts (4’ x 4’ painted patterns on plywood), are found so frequently on the barns that there is a barn quilt driving tour in the county, and there is a barn quilt art studio in town.

You could see all that beauty on the bike ride. As we rode our bikes south from West Jefferson and climbed up to the Blue Ridge Parkway, we found ourselves enshrouded in fog, in a world of evergreens, in a profoundly natural, primordial world — populated by deer, chipmunks, birds, and insects. Except for the sound of the spinning bicycle gears, and the rush of wind in our faces, there was little else but the sounds of nature—the rustle of leaves and the soft reports of animals in the forest.

Then, when we left the parkway, we enjoyed beautiful vistas of farmland on all sides… back roads devoid of traffic… rolling hills and valleys.

After 50 miles of riding, cyclists were no longer clustered together in one big parade. We were spread out over several miles of roadway, each of us free to enjoy our own ride — our own private pastoral meditation.

This is when I came in a little too hot on a downhill, left-hand, 90-degree turn.

I was approaching the crossing of the south fork of the New River and the first rest stop of the ride. My friend was ahead of me on the descent after a small (200 foot) rise, and I may have been chasing a little too quickly as I came down about 100 feet into the turn.

Hitting the brakes…

Losing traction…

Off the brakes..

Heading towards the guardrail…

I know now that I was 2 hours and 56 minutes into the 6 and 1/2 hour ride. I was on a bend of Carson Woods Road, at mile 50.1 of the Blue Ridge Brutal bicycle route. And I was descending at about 27.7 miles per hour on an 8% decline, before I hit the guardrail.

I know this because I had a Garmin — a GPS navigator — on my bike.

I can see all the data on my Strava account, but part of the ride is not in my memory banks.

There are one or two minutes, when I was on the wrong side of the guard rail, that are gone from my recollection forever.

I don’t remember the accident at all. I don’t know how I went over the guardrail, or how my bike remained intact. I must have been concussed.

After the Crash

The first thing I do remember is riding down the mountain with the wind in my face. Not just the wind in my face, but the wind in my eyes.

“Where are my glasses?” I thought. “I’m not wearing my glasses.”

“Oh… I must have crashed. I must have lost my glasses.”

“Oh well. I guess I’ll go back and I’ll get ‘em later.”

“Hmm… my back is sore. I’ve hurt my back. I’d better check it.”

Checking with my hand, “Oh shit, there’s something sticky on my hand. Is it blood?”

“Oh! Thank god! It’s just sticky from the Gu. I busted the Gu in my back pocket.”

“I must have landed on my back. I must have flipped over the rail and landed on my back.”

“I must have flipped over the guard rail, landed on my back, knocked the glasses off my face, climbed back over the guardrail, climbed back onto my bike, and headed back down the mountain.”

“That’s kind of bad-ass.”

A sharp pain on the outside of my right thigh. “Oh… My leg hurts.”

Looking down. “Oh shit! I cut my leg.”

“Oh, but it’s barely bleeding.”

“It looks superficial. No bleeders. No…. No visible muscle tissue. No ligaments. No connective tissue. Yeh… okay… superficial.”

“Will it need stitches? Hmm… It could be stitched up, I guess… I’ll figure that out later.”

“Oh… Oh shit… They’ll see that cut at the rest stop and they’ll figure I had a fall. They’ll check me for concussion.”

“They’ll stop my ride. Okay… Concussion protocol… Let’s see…”

“Who are you? Steve Gallup. Check.”

“Where are you? On a charity mountain ride. Check.”

“What is the year? Hell if I know. Oh well, I’ll come back to that one.”

“What season is it? Charity bike ride… must be Spring. What day is it? Must be Saturday or Sunday.”

“What is the rest of that protocol. Oh, who cares! I’ll worry about that later.”

So I attempted, and probably failed, a self-administered concussion protocol test, on my way to the rest stop, a case of “Physician, Heal Thyself” gone awry.

At the rest stop, no one asked, and I didn’t tell, whether I had suffered a head injury. The rescue squad medics applied a “field dressing” — literally a single pad of gauze with backing, secured by a band of medical tape.

At first, I was only disappointed by the primitive nature of the dressing. But after a mile or two, I discovered that the inelastic medical tape was digging into my flesh with every contraction of the muscles in my legs.

Even so, I plugged on for about 20 miles. I struggled up the insanely steep pitch of Buffalo Road, and I reached the Three Top Mountain rest stop at mile 76.

I thanked the cycling gods for giving me the strength to climb that ‘wall’, and I promised them, in the name of all that was holy, that I would cut my ride short.

I would only ride the final 25 miles of the 100 mile route. I would not attempt the 3-mile climb up Mount Jefferson, at the end.

After all, I reasoned, I had probably flipped over a guard rail, cut my leg, hit my back, and suffered a concussion. It would be tempting fate too much to climb the mountain at the end. It would have to wait for a future ride.

That sounds insane, right?

When I got back, I told my friend the story — how I must have hurt my head, but I still kept riding on instinct. How you could suffer a concussion, complete with retrograde amnesia, and still seem perfectly lucid.

He said, “Did you break your helmet?”

I said, “I don’t know. It seems intact. I didn’t really check.”

Sure enough, there was a crack running completely through the Styrofoam mantel.

I said, “Maybe you should drive us home this time.”

Postscript:

I bought a new helmet, and not much later (about 6 months), I bought a new bike with modern disc brakes.

I no longer take even “little” hills between mountains for granted, and I accept that “cyclist-error” probably caused the unwanted “encounter” with the guard rail.

Although I couldn’t avoid the guard rail, and was injured, still, my bicycle came away unscathed.

I called my wife before we left for home, to let her know that I had “a little accident”, but I was okay. She said, “So you’re going to a hospital, right?””

I never went to the hospital, and I have a beautiful scar on the outside of my right thigh, as a testament to the experience. It is just below the end of the Lycra of my cycling bib shorts.

Post Postscript - This is how I described the ride on my Strava feed in 2016:

More brutal than expected, when I skidded on a downhill turn and had an encounter with the guardrail. Suffered some cuts and bruises, and a mild concussion; but I feel fortunate to escape mostly unharmed. Feeling pretty mad at myself for blowing the turn. Perhaps the most scenic ride I’ve done this year, with great volunteers, who dressed my wounds, filled my bottles, rooted me over the hills, and went above and beyond.

How I Built My First Guillotine

{Prompt: What’s your favorite story about trying a new activity?}

It all started with Charles Addams. He started drawing cartoons for The New Yorker in 1932. In 1938, he started drawing a rather darkly satirical family, who created a great deal of mischief in their dystopian world — the “Addams” family.

A popular cartoon by Charles Addams.

In 1964 — the year I was born — TV executives became interested in developing the characters into a show. The characters were given names — Morticia, Gomez, Lurch, Wednesday, Pugsley, Uncle Fester, Thing, and Cousin Itt.

The show took a satirical look at the suburban landscape of America, as the Addams family shared quite a different perspective of good and bad. They were eccentric, exotic, and borderline psychopathic, and yet they were still lovable.

The show would go on to run for two seasons, and rerun in syndication for years.

A faux movie poster of the original TV Addams Family.

In 1991, this pop culture phenomenon from the 60s was rewritten for the big screen, in a movie featuring Raul Julia and Anjelica Huston. It did remarkably well. Gomez and Morticia were as popular as ever.

Poster for the 1991 movie.

About this time, Dianne and I began hosting Halloween parties at our house. We probably had four or five parties under our belt when we were searching for a new idea — a new theme.

It had to be a theme with identifiable characters that people could try to imitate in costume. And it had to be a theme with identifiable sets and props that we could reproduce for the Halloween party decor.

The Addams Family theme had both of these in spades.

The characters were iconic: Morticia, who had a greenhouse of carnivorous plants, and cut the blossoms off of roses to make them prettier. Gomez, who loved to swordfight, and would run his miniature train just to blow it up with an explosive. Uncle Fester, who could power a lightbulb when he put it in his mouth. Lurch, who stood 6-foot-9, played harpsichord for the children, and went around with a feather duster cleaning the ghoulish furnishings. Wednesday, whose favorite doll was the one who had been beheaded; and Pugsley, who had done the beheading.

And the props were legion. The house itself was pretty much the definition of a haunted house.

TV backdrop of the Addams house.

Gomez and Morticia sat in the most unusual chairs, in their Victorian parlor, with a double-headed tortoise roaming about between the Shogun suit of armor and the giant standing polar bear.

The parlor of the Addams’s house.

There was a stuffed swordfish trophy mounted on the wall, with the shin and foot of “cousin Farouk” embedded in its mouth — the victim of an unlucky boating accident.

Cousin Farouk.

There was a playroom filled with torture devices, including a bed of nails, an iron maiden, and a pillory.

The ‘Playroom’

And somewhere in a corner of the house there was a guillotine. I think Gomez used it to cut his cigars.

The Addams’ family guillotine.

With this wealth of material to steal from (slash, make homage to) we set about preparing for an Addams Family Halloween party.

Somehow we procured a peacock chair — the wicker chair with a fan-shaped back made popular by Morticia. We purchased a disembodied hand prop to double as “Thing” that was perched as if it were in the midst of playing chess.

‘Thing’—playing chess.

I went to work on the creation of a fish trophy based only on my spotty recollection of the TV show, from childhood days of watching the reruns. I had no photos or source materials whatsoever. (Although Wikipedia existed, there was no RetroVision website with photos of the set — there was no https://hookedonhouses.net with a post called, “The Addams Family House, Where Every Night is Halloween.”)

It turns out the real set used a real marlin trophy, whereas my fabricated version more closely resembled a disfigured swordfish. And the leg of cousin Farouk was clad in shoes, spats, and seersucker pants. My version was a Party City prefabricated latex prop of a dismembered foot and ankle. It’s a pretty amateurish re-creation, but with the right lighting, and some imagination, it can still pass muster.

Cousin Farouk - our version.

And then there was the small matter of creating a life-size guillotine. This is where I went deep into the weeds of research on the form and function of a real guillotine. (This might have been the first time I went “surfing” on the “net”.)

Sidebar: I found out, in the process, that the double “L” in the word “guillotine” — a French word — is pronounced like a “Y” (because it follows an “I” — an “L mouille” in French). Pronouncing the “L” sound (phonetically, as “Gee-yo-teen”) is gauche.

The first guillotine was invented by Antoine Louis in 1792 (and ironically was built by a harpsichord maker, Tobias Schmidt), but it was named for Joseph-Ignace Guillotin, an advocate for a more humane form of execution. Prior to the “Reign of Terror” and the French Revolution, execution could vary from hanging (most common) to decapitation by sword (for nobles), burning at the stake, traumatic fracturing of bones with a breaking wheel, or dismemberment. So the creation of the guillotine was a blessing, really.

More importantly, for the purposes of set design, a real life guillotine is about 14 feet tall, and the blade weighs about 90 pounds. It is designed for the heavy blade to slide down with precipitous finality.

A real guillotine also has a tilting backboard, so that the condemned may be more easily forced into position with his neck below the blade and his head above the basket.

In my design, the guillotine was only 8 feet tall — a convenient size for purchasing lumber, and short enough to fit beneath a 9-foot ceiling. Mind you, I didn’t consider whether or not it would pass through a doorway when I built it, but as it turned out, it would make it into the house, and from room to room, when tilted on its end.

I built it with two-by-fours, one-by-fours, and particle board—no metal except for the screws, the pulleys, and the cleat (used to ‘secure’ the rope). I played around with the idea of allowing the fake blade to slide up and down the grooves that I had created from layers of wood; but in the end, I decided it was just too dangerous, even for a half-sized executing machine.

The blade was fabricated from particle board, with one edge “sharpened” using rasps, files, and sandpaper to create its deadly appearance. It was painted an “antique” metallic silver, and splattered with a bit of red, for effect. It couldn’t have sliced a thing in reality, but it certainly could have maimed someone, if it had been put in motion. Ultimately, I opted to bolt the blade in place. Still, it gave the illusion of deadly usefulness.

Quite a few of our guests asked, with a look of concern, if it really worked. That was the best compliment ever.

Dianne (Morticia) and I (Lurch) with our Guillotine.

Theatre Macabre

So I came to discover, what should have been obvious from the start, that Halloween parties are really a form of theater. Our job, as party planners, is to create the set decoration; add lighting, sound, and special effects; and assemble the cast, in costume and makeup (as much as they are willing).

The Halloween party also required a lot of the skills of a producer — publicizing the event (by creating and sending invitations), arranging the place and time, preparing adequate seating, and refreshments, offering costume prizes and taking photos. The only thing differing from theater was the need for scripted dialogue… and rehearsal.

Some would say that our Halloween parties were legendary. The first party in our house in Glen Ridge (in Cary) was based on The Shining. We had a bathroom door, chopped up with an axe, with a mask of Jack Nicholson, peering into the splintered gap. We had a Big Wheel sitting in the hallway along with the dead body of Dick Halloran. We had a typewriter sitting at a table with scads of paper printed (by computer) with line upon line of “All work and no play makes Jack a dull boy”.

The Shining prop.

We created a party based on the song Hotel California with a complete hotel reception lobby for “sign in”. I still have the bell. We put “mirrors on the ceiling”, by using rolls of aluminum foil. (It turns out that pantry moths love to leave larvae behind between foil and drywall.) We created something of a “beast” out of papier-mâché, and we had a “feast” prepared with a conspicuous bottle of “pink champagne on ice”.

“Tiffany-twisted” hostess with two guests and the Bellman.

For a CSI party, we took mugshots of all the suspicious characters that arrived. We had fingerprinting kits, and I created a facial reconstruction of half a face with an amateur forensic-science kit.

A hellish pair at the entrance to the underworld.

We did a heaven and hell party, where I dressed as the prince of darkness (horns and all), while Dianne dressed as a devilish assistant. I achieved the pinnacle of my abilities in lighting design, fabricating flickering flames out of amber and red lit fabric, and creating crepuscular rays (heavenly beams) from spotlights mounted in the stairwell, pointed out through pearly gates into mist (produced by a fog machine). It was pretty good for a first attempt at recreating sunbeams.

Heaven above, Hell below. (Pearly gates not in this view.)

At the Roaring 20s party, the drinks were the main event. We had recipes for four or five prohibition-era cocktails, and we tried them all. We had a password for entry to the house, which could only be allowed by way of a side door. We had an old timey microphone as a prop for photos, and on the back porch, we had bales of hay, and jugs of moonshine, where the contraband was brought in by the bootleggers.

“On Air” - Two guests in full 1920s regalia.

For our Fairytale party, I constructed a two-story beanstalk out of foam pool noodles, plastic ivy garlands, and some snippets of floral greenery.

Little Red Riding Hood and the Big Bad Wolf near my beanstalk.

The kitchen cabinets were covered with brown paper and piped with insulation foam to create a “gingerbread house.” Sticking on all the hard candy onto the walls was the most time-consuming task.

Pocahontas and John Smith in the Gingerbread kitchen.

At our Wizards and Witches party, I ended up creating four D&D style dragons out of thick wire and masking tape, with some paint, glitter, and rhinestones for effect. The horns had to be made from iridescent polymer clay. I also spent some time creating some polished and varnished wands from some found scraps of wood (with magical potential).

Close-up of the Red Dragon.

The Human Element

The great thing about the Halloween party is the unexpected. You never know what the guests will wear, or do — how far they are willing to go. Some will arrive in a conceptual costume, designed on the fly, or at minimal expense. The couple (in the photo below) in construction vests and the sign, “Caution, Bump Ahead,” are punnily referring to the pregnancy bump and the newborn baby on the way.

Some will arrive in the most ornate and elaborate costumes you can imagine. The Mad Hatter and the Queen of Hearts in the photo below came in the most amazing homemade costumes I have ever seen. Needless to say, they won the costume prize. They set the bar just a little bit higher for the attendees of the parties to come.

Guests with Hansel (Dianne) and Gretel (me).

The cartoonist, Charles Addams, had a humorous concept, that served his purposes (for social satire) and the tastes of his audience. But his creation took on a life of its on, with a reinterpretation in the black and white medium of TV in the ‘60s, and the film adaptation of the Addams’s fictional world in the ‘90s.

The Halloween party is also a concept – albeit one filled with props, set designs, lighting and sound – until the guests arrive. Once the party begins, the “set” comes to life – it takes on a life of its own.

Dianne and I began throwing Halloween parties out of our mutual affection for the spontaneity and camaraderie of the Halloween tradition.

Over the span of a decade, I discovered that I also enjoyed the little projects that went into the creation of an imaginative backdrop. I fell in love with the creativity of set design and the theatrical arts. You can learn a lot of trivial knowledge and useful crafts in the slow descent into madness that is set and prop design.

Every now and then I need a gentle reminder that the party is the focus of the preparations. It’s not Broadway, and it’s not Hollywood.

The guests must be welcomed and refreshed, introduced and encouraged. The kitchen must be cleaned, and the counters well stocked, so that the guests can become satiated and inebriated.

The party must take its natural course, with an ebb and flow of conversation and recreation. It must draw to a close before we reach the point of gruff hostility, and we must thank our guests for taking the time (and effort) to attend and enliven our party.

After a night of peaceful slumber, we must go about striking the set, and return the house to its normal appearance and function – a cozy space for spending our days while we plan for the next adventure, or party, or both.

Every now and then, I wonder if I have a future in set design — if I should volunteer to work with Raleigh Little Theater, or give my kids a little help with their Halloween set design. I wonder if I could build a better guillotine.

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Appendix - Halloween Party Tips

1. Start early

2. Buy another house if you can afford one, or better yet, an empty stage, just for the Halloween party.

3. Shop for cheap supplies at the hardware store or ReStore.

4. Require costumes, but make them as easy as simply wearing a hat for those folks who don’t spend their days on costume design.

5. Invite the right people—ideally extroverts… or sociable introverts with a passion for theater.

6. Don’t forget name tags (with numbers, if voting on best costume).

7. Have a photo area, with a prop and a backdrop, for photos and selfies.

8. Learn to work with papier-mâché and wire for creating large props.

9. Learn to create good sound and light design, or recruit a specialist.

10. Have TVs available for the World Series fans

11. Don’t try to work with dry ice. It’s not worth it, and it’s hard to find on Halloween Day.

12. Child-proof your home (because drunk people fall off of decks).

13. 100 candles can really heat up a room.

14. Don’t use anything in the house, that might be carrying bugs.

15. Set aside three or four hours to dress yourself (and relax) before the party.

16. No idea is too crazy, but some ideas are too time-consuming.

Witches and Wizards - Steve, Vicky, Dianne, Patrick

Appendix 2 - Our Halloween Themes (so far)
1997 - Un-themed
1999 - The Shining
2000 - Hotel California
2001 - Witches and Warlocks
2002 - Gothic
2003 - Haunted Hospital
2005 - Murder Mystery
2006 - CSI
2007 - Addams Family
2009 - Heaven & Hell
[Sabbatical from Halloween parties primarily due to opening and running Village Family Practice of Holly Springs - 2010 to 2016.]
2018 - Speakeasy
2019 - Fairytale
[COVID-19 Pandemic beginning in March 2020]
2023 - Wizards and Witches (and Dragons)

A Warlock and a Witch - circa 2001

A Creative Renaissance

{Prompt: Write a story about learning something new.}

I entered a creative renaissance, more or less, with the beginning of the new millennium. It came about because of the relative absence of demands upon the higher cortical functions of my brain.

Celebrating the new century

You see, by January 1, 2000 (Y2K), I was done with all the acquisition of knowledge that was required to practice medicine (which is quite a lot, I can say.)

I had finished twelve years of basic education, four years of college, four years of medical school, a year of public health, three years of medical residency, and three years of group practice.

I was pretty much free from all forms of academia, and free of the need to rigorously process and incorporate didactic knowledge. I had a sufficient mastery of family practice to work without additional study. I was ready to try something new — something creative.

At the bus stop on the first day of school (8/20/2000)

The same year — 2000 — my kids entered elementary school, starting their own academic careers at Bugg Elementary School, a magnet school in Raleigh that emphasized a paradigm of learning that stimulated the “multiple intelligences” of a child. I don’t pretend to know the full extent of the theory of multiple intelligences. I just know that Bugg Elementary encouraged children to learn through activities such as art, music, and drama. This, roughly, is when I, too, began a decade of creativity in the arts and crafts.

When they entered Bugg Elementary, Jasmine was already taking piano lessons, and Samantha was playing the recorder. Sam even played the Australian national anthem in front of her Australian first grade teacher and class, to an enthusiastic reception.

We signed them up for a drama camp around about third grade, and unwittingly unleashed a lifelong obsession with theater and the performing arts. Their obsession was intensified by attending Broadway shows in New York City, and a West End revival of Mary Poppins in London. The spectacle of light and sound must’ve engulfed their senses and seeped into their veins.

In addition to those exposures to music and drama, I created a bit of an art studio on the third floor of our house. I had a drafting table perched above a dozen drawers of art supply bins, next to several shelves of how-to-do-it art books.

I had a multi-pocketed travel case filled with my favorite art supplies: pastels, graphite pencils, and charcoals; watercolors, acrylics, and oils; and art-paper pads of every color, texture, and weight.

I took our girls to Michaels regularly to buy more art supplies — stamps, stencils, scrapbooking materials, markers, miniature Christmas trees, cross-stitch floss, precut mattes for framing photos, and more.

I discovered that Michaels had a room for doing group craft projects with children, and I took them back periodically on Saturday mornings to do a group craft in the “party” room.

Artist kangaroo - from polymer clay.

There was a period when polymer clay molding became the craft of choice. Samantha and I completed a pretty good anthropomorphic sculpture of an artist-kangaroo. Almost perfect, but the feet and the haunches were a little out of proportion. It’s rustic.

I attempted an oil painting just once — a copy of a photo of Montezuma’s Castle in Arizona — but the paint took so long to dry that I didn’t dare attempt an oil painting with the children.

I prefer the more fluid medium of watercolor to be honest, and I took a watercolor class in Cary, but even though I liked it, I didn’t really pursue it further. I was just dabbling in everything.

I began to cross-stitch for pleasure, starting with a simple kit called “Live Well, Laugh Often, Love Much” - a pattern of a woman in an apron decorated with hearts. I changed the hair color of the girl in the pattern to match Dianne’s. My first cross stitch went to her.

Dianne’s Cross-stitch.

I went on to complete a harder pattern — a counted cross-stitch — for my mother, with the words of an old Methodist hymn set against the scene of a field of sheep. I gave it to her in a personalized frame with a plaque, and it still hangs in her house in Stanley.

Ultimately, I completed an epic pattern — The Fantasy Sampler, by Teresa Wentzler — which portrayed a princess with a flute, sitting in a field with a dragon. Within the decorative border, a different beast lay in each corner — a gryphon, a unicorn, a lion, and Pegasus.

It took me at least a year to complete. It includes large areas of cross-stitch worked over one thread (instead of two). It was much harder. It was riddled with mistakes that only I can see. I gave it to Samantha, probably on a Christmas, with assurances to Jasmine that her sampler would be coming soon.

Samantha’s Fantasy Sampler (pattern by Teresa Wentzler).

But by the time I completed the Fantasy Sampler, for Sam, I was exhausted with counting linen threads, untwisting knots in the floss, holding the frame in my left hand, and working the needle in my right.

We moved on to other activities. We were building model rockets to blast into the air. It was the revival of an activity that I once had done with my father and brother, many years before. The girls were pretty adept at this craft. They only really needed me to set up the launch pad and ignition system. And then the rockets zipped up into the air so fast you could only see the puff of smoke where they had been a second before. One summer they signed up for a rocket camp, out in the country, with a Lutheran organization. Those crazy Lutherans.

Books, Birds, and Beyond

It wasn’t all arts and crafts. We did some other things, too. The twins were reading books prolifically;, including each J.K. Rowling book as it was released. I didn’t think very highly of the representation of the (foster) parenting adults in the first one, so I didn’t read any of the others. In contrast, I enjoyed Philip Pullman’s books much more, and read the whole His Dark Materials trilogy. From time to time I read one of the fantasy or sci-fi books, that they enjoyed, just to stay in the loop.

In middle school, they joined a “Battle of the Books” club, and I joined them in reading a greater variety of books than usual. These books, written for adolescents, were some of the most disturbing works of fiction that I had read since Watership Down or Slaughterhouse-Five thirty years before.

Touching Spirit Bear, and Milkweed, are two that especially come to mind. Spirit Bear gave the most graphic description of a bear attack I have ever read, or seen, and Milkweed gave an unsettling description of the Warsaw ghetto and its effect on the central character—a boy.

The cover of Spirit Bear.

At first I read the books, meaning to create flash cards for the kids to use to prepare for competition. But after reading the selections, I came to realize that the genre of modern juvenile fiction was deep, dark, and sophisticated; perhaps the most meaningful form for dealing with difficult and polarizing issues that I have ever encountered. I began to read the books for their serious content.

About this time we also became obsessed with birding and the night sky. We collected a lot of ornithology and astronomy guides. We went out with binoculars to look for birds, and with telescopes to look for stars.

But we attracted dozens of birds to our own backyard with a small investment in a proper bird feeder, with a baffle and a stabilizer. We observed nuthatches climbing up and down the bark of our pine and oak trees. We observed Downy Woodpeckers, Waxwings, and Red-winged Blackbirds — my favorite with their screeching calls. You can see them perching on a willow by every neighborhood retention pond.

(I also started collecting Wild Republic birds, which are stuffed animals with “authentic bird sounds provided by the Cornell Lab of Ornithology”. They still sit lurking on a high shelf in Jasmine’s old room.)

A red-winged blackbird (photo credit: Matt Felperin)

At night, we went out once or twice to Lake Johnson with a newly purchased telescope, looking up at the night sky and trying to find different constellations. But first we had to try to set up the scope with proper orientation by the light of a small red LED. We found that the sky was so vast, and the earth moving so unexpectedly fast on its axis, that finding individual stars, galaxies, and star clusters was a challenge. One moment it was in sight, and the next it was moving out of the field of view. Astronomy is hard.

Science Olympiad.

With the renewed interest in these—my previous childhood pursuits (I haven’t even mentioned the stamp collecting)—I began to think that my children might have an interest in science and math. I volunteered to “assist” in the Science Olympiad club that Samantha and Jasmine had joined at Dillard Middle School. (The Big Bang Theory, was in its second or third season, by the way. Coincidence?) A neighbor, Kim Barritt, who lived at the other end of our street, was the science teacher who supervised the club.

So I jumped into Science Olympiad with the gusto of a true science geek. I think I started “assisting” with a construction game that involved finding the best solution for a mechanical problem, working in teams. Each team had a Ziploc bag of identical construction materials, and tried to build the tallest structure, within the given parameters. The kids were chattering with excitement. There was laughter. There were groans. It seemed to be fun, for them and for me.

Later we tried a “Write it, Do it” activity. The club was divided into teams of two. The first team member was given a completed object, and they tried to write down, in step-by-step directions, how the object should be constructed. Then the second team member, who hadn’t seen the object, tried to construct it from the written directions and the constituent parts. It was chaos. Beautiful, hilarious chaos!

Pretty soon I was completely invested, creating a curated collection of age-appropriate books and materials on subjects ranging from oceanography and meteorology to forensics and pathology.

I tried to convince Jasmine that she was bound to enjoy signing up for “Crave the Wave” because our world is burgeoning with a beautiful and complex array of light, sound, and liquid waves. And… furthermore… the mystery of wave-particle duality in subatomic particles is a perfect example of the ineffable beauty of scientific inquiry. She just didn’t get it.

A representation of wave-particle duality.

Ultimately, most of the kids just wanted to do one of the mechanical events. They wanted to build a bottle rocket, or a rubber band glider, or a Rube Goldberg machine, or a robot, or a trebuchet.

And who could blame them?

But there was a catch. In Science Olympiad, the machines were not only built… but they were also calibrated. In other words, building the machine was only half of the task. Once the machine was completed, it was expected to be tested, calibrated, and (potentially) improved.

That was a whole new level of preparation, for an adolescent contestant. Even for an adult, it was hard. In my own life, most of my projects were barely completed by the deadline. To plan ahead for testing and revisions of a completed project was extraordinary… bewildering… and a bridge too far for most of the kids.

Still, I think that they came to recognize its merits. Success or failure in the competition came to depend on the rigor with which engineering and scientific methods were embraced.

Tower and bridge constructions were visibly shattered when they couldn’t withstand the required force of weight. It wasn’t just a metaphorical shattering of hopes and dreams.

Jasmine built a contraption to drive an egg within inches of a wall on rubber band power, but with time running out, she failed to test it with an actual egg attached. Fatefully, during competition, when the egg was attached, the contraption did an unexpected wheelie, and veered off course completely. Lesson learned.

Jasmine (right) and a friend, with gliders.

Of all the activities that we did in preparation for Science Olympiad, my two favorites were the ones for “Food Science” and “Road Scholar.”

For Food Science, we had to prepare batches of chocolate chip cookies, but we had to use different forms of sugar, and vary the cooking times and temperatures. I think we spent most of a Saturday in the kitchen making chocolate chip cookies, observing remarkable differences in the outcomes, and making plans to spend the rest of our lives in pursuit of the perfect recipe.

Road Scholar was an event focused on surveying and orienteering. In preparation, I went out to Umstead State Park with the boys who had signed up for the event. We attempted to follow a set of orienteering directions with a map and a compass, making our way off the beaten path, and marching straight through the woods, hoping that we would navigate our way to the right location. It was a bit like searching for a geocache, but in the days before smartphones had reached their full potential. In a way, it felt as if we were lost, but we were not lost. We were just finding a different way to get somewhere.

I came to realize that if I had been a contestant in Science Olympiad back in my own middle school days, I could have easily entertained a career in food science, surveying, meteorology, or engineering.

Ironically, I really did major in engineering at Vanderbilt, but somehow they sucked the joy right out of it. In Science Olympiad, all the joy of discovery and design came rushing back.

A tower straddling a homemade template.

In the end, our small band of contestants didn’t win, but did respectably well in the regional competitions. Some of them crushed it, and some of them got a little crushed. But they all tried, and they all had team spirit. I watched as bottle rockets spun out of control, balsa gliders veered off course and robots got stuck. I waited nervously at the classroom doors to find out how our students performed at the testing stations in all those book-intensive subjects.

We got Dillard Dragon t-shirts made (one of the parents was a graphic artist) and we went out and painted our club mascot and school name in the Free Expression tunnel at NC State before the competition. And, at the end, we all sat in the bleachers to see the final results, as trophies were awarded at the closing ceremonies.

2008 Dillard Drive Middle School Science Olympiad team

Claire Nelson, Sam, and Jasmine with prizes and a duck.

Postscript

At the end of the decade, in 2010, I left my job at Garner Family Practice, and I opened my own practice, called Village Family Practice of Holly Springs.

I spent my Saturday mornings taking care of payroll and updating the Quickbooks account. I spent my evenings completing notes in the electronic medical record, and preparing bank deposits.

I was moving into the realm of a small business owner, dealing with marketing, finance, compliance, and service. The days of art and engineering were over.

Village Family Practice logo.

In 2009, Jasmine and Samantha went to high school, first separately at Raleigh Charter and Middle Creek, then together at Raleigh Charter. They more-or-less avoided science and math, shunning the chance to become doctors, biostatisticians, food scientists, or engineers. They were young and foolish.

I forgave them the zeal with which they developed a love for Shakespeare and Aeschylus. I allowed them to go on and on about the philosophy of Heidegger and “ways of being.” I watched them learning lyrics by Stephen Sondheim. I let them watch Glee.

We reunited briefly to obsess over college applications, but they only glanced at my spreadsheet of university options dismissively. In the end, they went to a school with a reputation for medicine and engineering, but located adjacent to a performance hall, and near a theater district.

They secretly majored in the humanities — Music Performance and International Studies for Samantha, and English and Journalism for Jasmine.

Now my binders of Science Olympiad rules, tips, and reference materials gather dust in the attic. A complete set of handmade science-word flashcards still sits in its card case, unused. The Rube Goldberg machine, in the crawlspace outside, is slowly decomposing.

The acrylic paints and indelible ink markers have all dried up and been discarded.

The telescope has been sold to an optimistic young college student living nearby.

The bird feeder has been dismantled to make room for Maggie to chase her magenta-colored spiky ball.

The Wild Republic birds keep a silent vigil in the guest room, formerly Jasmine’s bedroom, on the north side of the house.

The model rockets have been returned to their creators.

But in 2019, I retired.

A new era of creativity has emerged.

I make barn quilts.

I write stories.

I even finish Jasmine’s cross stitch—the Camelot Sampler.

It’s a new beginning—a renaissance.

The Camelot Sampler—for Jasmine